Mightier than the Sword: "My Hero"
(Orbit, London: 2002)
Mightier than the Sword is Tom Holt's Omnibus 2 which consists of the novels "Who's Afraid of Beowulf?" and "My Hero". "My Hero" first published by Orbit in 1996.
READ: April 2007
I read the other half of Tom Holt's Omnibus 2, Mightier than the Sword, "Who's Afraid of Beowulf?", in March.
Of the three books by Tom Holt that I have now read (the third is Falling Sideways, which I read back in January 2006), I think this one is the weakest. It is funny and entertaining, but it suffered from the same thing Falling Sideways did to some degree: too many characters and too many parallel storylines. Figuring out who everyone is and what their purpose is in the story, is all a bit unnecessarily exhausting. Even when they all come together at the end, it isn't all clear. I think what made "Who's Afraid of Beowulf?" so successful, in my opinion at least, is that it avoided this almost entirely, by having just two sets of characters (Good v. Evil, essentially), rather than a bunch who come together at the climax only. That can be done well, but in this case, it was just a bit too scattered.
That being said, I did enjoy the book. It was an interesting premise: Jane is an author whose fictional characters start to need her help, and then when she tries to help them, it turns out she needs theirs. Fiction becomes reality, and vice-versa.
Memoirs of a Geisha
(Alfred A. Knopf, New York: 1997)
This edition published by Vintage Contemporaries, New York, 2000.
READ: March-April 2007
I haven't seen the movie, but have wanted to read the book for a while. Initially, I was confused. I had always thought that Memoirs of a Geisha was a novel, but it began with a word from a translator who claimed to have translated Sayuri's words faithfully from the Japanese. I then realized that, of course, this was part of the novel, meant to give it an added aura of authenticity.
It's a wonderful book. Nitta Sayuri, a 9-year-old girl with unusual blue-grey eyes, is not born into the world of geishas, as most are, but is taken from her small village, after her mother dies and her father can no longer care for her, and sold to a geisha house in Kyoto. This is, effectively, akin to being sold into slavery. Many girls who trained to be geisha did not succeed, managing to incur substantial debts along the way, indebting them indefinitely to the geisha house to which they belong. For Sayuri, the story is, at least at first, much the same, but as she becomes more committed to the idea of becoming a geisha, things change.
A compelling read, I hated putting the book down at the end of a chapter, always wanting to read "just one more chapter". Though sometimes I lacked sympathy for Sayuri, I could not doubt that her story was a fairly common one in Gion, the famous geisha district of Kyoto. The book also spans a key point in modern Japanese history, from the late 1920s through the 1930s, to WWII and the post-war Occupation years. Arthur Golden apparently did a fair bit of research for the book, and as far as I know, his account of what it meant to be a geisha in those days is fairly accurate. I might see the movie now, to see how it compares.